Seventh Chords: Call and Response
Goal: To experience inverted seventh chords in a social context (inversions of half diminished seventh, and fully diminished seventh).
Out of Tempo
All Levels
“Out of Tempo” exercises are not presented separately in Ear Training III and Ear Training IV improvisations. Should any exercise prove difficult performed in tempo, out of tempo versions of the materials in Ear Training III and Ear Training IV can be modeled on Ear Training I and Ear Training II approaches to out of tempo improvisations.
In Tempo
Teacher sets up a tempo, time signature, tonality, and rhythms.
Phrases can be four to thirty-two measures in length depending on the student’s ability.
Start with one note per measure and add different rhythms as students become more comfortable with the exercise. For more confident students, use non-repeating notes and rhythm patterns.
Students sing one, two, three, or four notes per measure.
Speaking, singing, playing.
Refer to the Seventh Chord Smorgasbord for ideas.
Beginning
- Teacher sets up as above and prompts, “I sing a fully diminished seventh chord, you turn it in to a half diminished seventh chord.”
- Students do so.
Intermediate
- Student sets up as above and prompts, “I sing a half diminished seventh chord, you turn it in to a fully diminished seventh chord.”
- Students do so.
Advanced
- Student sets up as above and prompts, “I sing a fully diminished seventh chord in root position, you turn it in to a half diminished seventh chord in first inversion.”
- Students do so.