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Triads: Patterning



Goal: To hear all four triad types in various patterns using inversions.


Out of Tempo

Speaking, singing, playing: melodically and harmonically.

Beginning

  1. Teacher plays a major/minor/augmented/diminished (only one) triad in all three positions.
  2. Students identify the order in which they were played. For example: first inversion, root position, second inversion.

Intermediate

  1. Teacher plays two triads in all three positions.
  2. Students identify the order and position.

Advanced

  1. Teacher plays three or all triad types, one of each, in a different position.
  2. Students identify the order and position. For example: major/root, minor/second, augmented (identify root), and diminished (identify root).

In Tempo

Teacher sets up a tempo, time signature and tonality.

Spoken, sung, played.

Beginning

One type of triad.

  1. Teacher sets up two-four time and prompts, “Sing a major triad in root, then first, then second inversion, one note per measure."
  2. Students do so.

Intermediate

Two types of triads.

  1. Teacher sets up two-four time and prompts, “Sing and identify type and position of the triads I am playing.”
  2. Students do so.

Advanced

Very difficult.

  1. Teacher sets up two-four time and gives the students one note that is at the outset the root of a triad.
  2. Teacher prompts, “In a steady tempo, following my accompaniment, rotate around the given note to create the four different triads."
  3. Students do so.